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Diligent Candy

Diligent Candy

    • About Amrita
    • Apoorva Mathur
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Writing

  • What My Crumpled ECER Notes Taught Me About Power, Silence and Hope
    17 Nov 2025

    What My Crumpled ECER Notes Taught Me About Power, Silence and Hope

    Diligent Candy
  • Ziyafat and Radical Hospitality: Towards an Ethics of Reading Across Border
    2 Jul 2025

    Ziyafat and Radical Hospitality: Towards an Ethics of Reading Across Border

    Diligent Candy
  • Burning Through the Forest of Noise: Mosab Abu Toha’s Poetics of Survival
    14 May 2025

    Burning Through the Forest of Noise: Mosab Abu Toha’s Poetics of Survival

    Diligent Candy
  • The Beauty of Soft Living: Spring Insights
    20 Apr 2025

    The Beauty of Soft Living: Spring Insights

    Diligent Candy
  • Fizz, Silence, and the Color of Connection: On Words Bubble Up Like Soda Pop
    18 Apr 2025

    Fizz, Silence, and the Color of Connection: On Words Bubble Up Like Soda Pop

    Diligent Candy
  • Unmothering the Mind: Demented Mothers in Literature and Theory
    17 Apr 2025

    Unmothering the Mind: Demented Mothers in Literature and Theory

    Diligent Candy
  • The Ache That Binds: Reading Difficult Mother-Daughter Relationships in Contemporary Memoirs
    13 Apr 2025

    The Ache That Binds: Reading Difficult Mother-Daughter Relationships in Contemporary Memoirs

    Diligent Candy
  • The Beauty of Grief in Performance Art
    12 Apr 2025

    The Beauty of Grief in Performance Art

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  • What to Do with All This Poetry?
    12 Mar 2025

    What to Do with All This Poetry?

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I no longer shrink to fit or apologize for the weight I carry.

There are departures that aren’t departures at all. Just the illusion of distance, the choreography of a life forever circling back. I teach, I write, I watch the tide of knowledge pull in and out, reshaping the shoreline. Here, in this space of half-built sentences and restless thoughts, I gather the echoes of classrooms, the weight of unsaid things, the quiet rebellion of learning. Some days, teaching feels like constructing a house with no walls, only doorways. Other days, it is a series of small disappearances—ideas slipping through fingers, students moving on, the past dissolving behind us. But always, there is return. Always, there is something waiting to be found.

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