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Who Gets to Take Up Space? Women, Desire and the Ordinary in All We Imagine as Light
This essay is adapted from the introduction I presented at Rialto/Griffioen for a screening of Payal Kapadia’s All We Imagine as Light. I had the privilege of introducing the film and wanted to offer the audience a few ideas to carry with them into the screening: about women and the city, migration and home, intimacy,…
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The Body Remembers the Room
This week, on April 15th, I had the honour of delivering the opening keynote for the Social Safety Week 2026 at the Conservatorium van Amsterdam, a programme that understands something many institutions still struggle to name: that social safety is not a decorative value to be displayed at the edges of institutional life, but part…
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Ziyafat and Radical Hospitality: Towards an Ethics of Reading Across Border
I have been ruminating on this topic for so long. It is time to stop reading it solely through the lens of an academic researcher and simply release it into the world, because its urgency can no longer wait. This essay examines the influence of Persian poetry on American literature, tracing its path from transcendentalist…
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Burning Through the Forest of Noise: Mosab Abu Toha’s Poetics of Survival
In Forest of Noise, Mosab Abu Toha offers us not just poetry, but the breathless residue of survival. The title itself rings like an invocation: a forest, dense with memory, static, and surveillance; a noise, unceasing, buzzing with drones, rubble, and the keening of the dispossessed. This is Gaza, yes—but also the poetic terrain of…
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The Secret Lives of Second-Hand Books
There’s a particular kind of magic that lives in second-hand books—a sort of hush, like the soft turning of pages in a dream. They arrive in your hands like messengers from another life, carrying the scent of time, the weight of old hearts, and the whisper of a reader who once fell in love at…
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Unmothering the Mind: Demented Mothers in Literature and Theory
“I do not know which to prefer,the beauty of inflectionsor the beauty of innuendoes,the blackbird whistlingor just after.”— Wallace Stevens, Thirteen Ways of Looking at a Blackbird The mother who forgets is often feared. She is no longer the custodian of the domestic archive, no longer the ground of the child’s stability or the embodiment…
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Reclaiming the Body in Verse: Marginalized Poets, Hair, and the Politics of Presence
Poetry has long been a terrain where power structures are challenged, reimagined, and sometimes dismantled. Within this tradition, underrepresented and marginalized poets—particularly women, queer writers, and those of diasporic communities—have used the body, and often its most intimate and symbolic parts, as a site of resistance and reclamation. Among these embodied symbols, hair emerges as…
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The Classroom as a Battleground for Meaning and Difference
Education, at its best, is an act of rebellion. It dares to disrupt the comfort of certainty, to dismantle the walls we build around ourselves, and to replace them with windows. Yet, in a world that fears change, education often finds itself tamed—reduced to sterile instruction manuals, neatly packaged outcomes, and metrics that measure everything…
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The Graph of a Cry
My dissertation is available as a book for academics, libraries, and those who are interested to read more about the phenomenal journey of the American ghazal. This dissertation analyzes the journey of the ancient Arabic poetic form of the ghazal to America to provide insights into transnational poetry and cultural mobility. While the movement of…
